We’ll be at the second-annual Letterpress Printers’ Fair in downtown Lancaster, PA, this Sunday from 11-5. It’s the only printers’ fair in the area, and it’s a good one. We’ll be representing Ladies of Letterpress, and will be selling t-shirts, printers’ aprons, baby onesies, iron-on patches, and more. The fair is held behind Building Character, a neat old factory replete with antiques, crafts, as well as local printing outfit the .918 Club’s historical print shop. Food trucks will be there too! Come on out, enjoy the fall weather, and meet some real-live printers. Sounds good to me.
We love the designs over at A Printable Press. Their letterpress-ready invitations are a great way to get a custom-looking invitation at a less-than-custom price. This hand-drawn invitation for Christine is no exception. The mix of hand-drawn typefaces, digital typography, wreathes and arrows would look great on kraft paper, or on Pearl White Lettra, as shown here. There’s an increasing number of digital typefaces available that mimic hand-lettering and even calligraphy. And while we certainly don’t recommend replacing a skilled artisan with a machine (ahem), sometimes a healthy mix makes a beautiful invitation.
It’s been a busy spring and summer: we moved our entire shop in late June to a brand-new building which is, thankfully, just about finished. I’ll post pictures of our new space in the coming weeks–hopefully while it is still clean and pristine, and before it starts looking like a busy print shop again.
In the meantime, feast your eyes on these clean and pristine three-color invitations printed recently for a Utah couple. Designed by the groom, the invitation has bold, declarative typography framed by banners. The event details have been set apart in their own spaces, and the ceremony details appear on a special card of their own. Cool gray, teal, and green are perfect choices for a summer event, and pop when printed on bright white cotton stock. These three-color invitations are well balanced enough that it’s hard to imagine them any other way.
One of the good things about our location is that we’re surrounded by a huge variety of local food and small farms; this menu we made for a recent local food dinner attests to that. The dinner benefited another great local program, L.E.A.F., which seeks to help local youngsters learn about organic farming. We printed this three-color card of deliciousness on tree-free, cotton stock in ecru, and included a tiny letterpress micro-green for the occasion. We were happy to contribute a small thing to the farmers and groups who do so much for so many!
We had a busy spring of business card printing interspersed with the usual spring wedding work. Noting a trend towards simplicity, we printed several tidy, one-color cards whose clean typography was accentuated with creamy or white cotton paper, or, in one case, a tiny green lettuce. We printed a dramatic card on super-thick 4pt Rising Museum Board using just a touch of transparent white for deboss definition, and then painted the edges a bright, cherry red. An artist‘s card also got the cherry-red edge treatment, which, when printed with a bleed off the edge, gave the cards a hand-dipped look.
When family friends Paul and Andrea called us with a top-secret project, we knew something great was afoot. They wanted something whimsical, neon, and tiny to share the news of their surprise wedding–a little piece that belied the big-ness of their excellent announcement. We came up with a business-card-sized card in an equally diminutive envelope, all enclosed in an aqua envelope that was the right size for mailing.
The icing on this cupcake was the chance to use Tilda, the typeface designed by Jessica Hische for the movie Moonrise Kingdom. While the typeface will be officially released later this year, the intrepid Paul was able to purchase the beta version of the face so that he and Andrea could have the script of their dreams!